Wilson Audio Factory Tour (or how we got WAMMed!) – Alma Music and Audio

Wilson Audio Factory Tour (or how we got WAMMed!) – Alma Music and Audio: ""


Wilson Audio Factory Tour (or how we got WAMMed!) – Alma Music and AudioWilson Audio Factory Tour (or how we got WAMMed!) – Alma Music and Audio

Nice write up by the guys at Alma Audio, the affable Fabio and Alex (ed. or is it “Alexx”?).  Great audio salon type HiFi shop that caters to the greater San Diego market.  Care for a dose of darTZeel, YG, Wilson or D’Agostino?  Heck, they even stock the awesome Technics 1200G.  Go check them out!


| Permalink | Announcements , Components , Shows and Expos , Spotlight , Systems , Turntables | Posted by Danny Kaey on Aug 13 '17

T.H.E. Show Newport

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Yep, it’s that time of year again: Richard Beer’s T.H.E. Show is taking place in Newport Beach.  As last year, we are hosting a SonicFlare hospitality suite, Turtle Rock C, where you will be able to sample the finest vinyl, make some new friends and hear some cool stuff.  Come one, come all, on or about June 2-5.  Reporting will commence soon!  Cheers and let's have some fun.

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| Permalink | Shows and Expos | Posted by Danny Kaey on May 29 '16

A Sunday with Alma Audio

Sunday.  Sunday.  Fabio Storelli, proprietor of Alma Audio in La Jolla, California, hosted a terrific audio event full of the usual gizmos and gadgets audiophiles come to expect.  The faithful gathered July 19 and 20, 2015 for an audio extravaganza.  More of a “society” event - that is, audio society - notable luminaries like Yoav Geva and Dick Diamond (YG Acoustics), Dan D’Agostino (D’agostina Masters Audio Systems) and Joe Kubala (Kubala-Sosna cables) were in attendance as well.  Smart.  So what exactly does one get from such an event?  Naturally, a full belly for one, as delicious cuisina-Mexicana was on tap; alas, everyone of course was there to see, hear and mingle with the latest and greatest.

Tired of checking in with your local audio show?  No problem.  Set your sights to your favorite audio salon’s iCal and follow the tune.  Seems like these types of events are popping up everywhere.  As Ted Turner famously said, “Only more is more”.  Fair enough.  While I delight in the sights of Yoav, Dan and Joe, I often ponder the effect on the general audio populus.  Surely, Shirley, said populus must agree with such sentiment.  IDK.  Maybe?  I think it depends on the audience.  The converted seem to know the message already.  Hi-Fi is what it is.  How does one reach the audience at ground zero?  Maybe that’s too lofty a goal.  Maybe it is in fact the focus on the lowest hanging fruit that will bear the most rewards.  IDK.  What I do know is that those already reached have a distinctly different need that needs to be met.  It follows then that one should have a different curriculum for those yet uninitiated.  Therein lies the rub, how do you do that?

Food for further thought.  Not like that conversation has never taken place.  Alma Audio makes a good start: from entry level to highest end, you can shop for records and buy a new ’table or accessory.  All set in a homely surrounding to boot.  Headphones I heard are next.  That’s clever and in line with the latest trends.  The rest?  Perhaps an invitation to those not yet initiated is in order.  Keep the tacos, add the educational component.  You hear this, because of that.  If your average La Jollian looks to Bose as high-end, there’s not a glimmer of hope we can connect them to $78k YG Sonja 1.2s.  However, if we educate them and reach them at ground zero… food for thought.  As once famously said: “if you can explain the why, the how will follow”.  I agreed then, I agree now.  Enjoy the pics!  See you all soon.


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| Permalink | Shows and Expos , Spotlight , Systems $50k-$100k , Writer: Danny Kaey | Posted by Danny Kaey on Jul 27 '15

Evolution Acoustics and darTZeel at Newport

Though there were really two rooms for Jonathan Tinn to showcase his latest wares (I suppose four rooms if you consider the darTZeel integrated in the SF room and the system setup in the PF hospitality suite), I only managed to spend time in the big room, whilst taking a snapshot pic of the small room.  Go figure.  It appears that after years of fronting shows with their highly regarded Evolution Acoustics Micro One speakers (mini-monitors, which I am writing a review about at PF), Jonathan decided it’s time to upgrade: MMTwo was the name of the game.  Maximum Musicality is indeed what I then heard for an altogether too short visit.  As mentioned earlier, Dean Martin’s Dream with Dean sounded big, bold and powerful - and certainly judging by the lines of people out the door to have a listen, most everyone seemed to agree.

The rest of the playback chain was darTZeel’s new NHB-18NS preamp, the all new and exciting looking LHC-208 “danalogue” streaming DAC avec integrated amplifier and last but not least, Wavekinetics NVS Reference direct drive ’table (for which I am also penning a review this summer).  All in all, top shelf components - particularly, the LHC-208 (who’s big brother, the CTH-8850 played in my reference system for well over 2 years and was reviewed here) seems interesting: an all in one integrated with built in hi-res DAC (handling PCM and DSD) is just about all one needs as a center piece of a modern Hi-Fi setup.  Price point around $15k. Should be selling well judging from the performance points witnessed and heard.  The NVS Reference on the other hand is indeed a reference level ‘table that when matched with the appropriate arm / cartridge combo does deliver exquisite sounds.  Overall a great room with hospitality to boot.


Permalink | | Posted to Shows and Expos | Writer: Danny Kaey

EINSTEIN, AudioMachina & TechDAS at Newport

No stranger to the SF (and PF) band - we have been using EINSTEIN gear as our reference for the last 2+ years - EINSTEIN teamed up with AudioMachina, TechDAS and Bob Graham of Graham Engineering, to deliver the goods.  Delivery charge induced. Tips optional.  Having said that, if this room were a restaurant establishment, tips would have been ringing at the register quite loudly.  Several people I spoke with mentioned this room to have been one of the best sounding at the show.  Easy to see why: EINSTEIN brought out the big guns, running The Preamp ($30k), a pair of bi-amped The Poweramp ($30k each) and showing off the latest prototype version of the soon to be released The Phono preamp (exact pricing has not yet been released, however, is rumored to be roughly around $10k for the single input setup - optionally, you can also order it with a dual input which in this case means two completely separate phono amplifier sections, a rare novelty even in these price circles). 

EINSTEIN’s electronics fed AudioMachina’s big speaker, The Maestro; source was TechDAS Air Force One with Graham Engineering’s latest Phantom II Supreme tonearm and the all new EINSTEIN The Pickup cartridge.  And that’s just for starters in the big room.  The secondary suite utilized EINSTEIN’s The Tune integrated amp with The Little Big Phono sourced by TechDAS’ Air Force Two along with AudioMachina’s CRS compact bookshelf loudspeaker.  As I could tell, cabling was all EINSTEIN as well, respectively their The Flash and The Thunder interconnects and speaker cables.  Judging from observers walking into the SF room mentioning how they heard someone else was using EINSTEIN gear, the sound appeared at once cohesive, dynamic and very open.  Given that EINSTEIN distributes both AudioMachina and TechDAS in their native Germany, I wasn’t entirely surprised by their choice of components.

When I had a chance to sample the room for an all too brief moment of mere minutes, I heard much the same qualities - particularly the smaller system played well beyond its apparent means.  What stood out the most was the quality of each of the sources: TechDAS obviously has the know-how of decades worth of engineering and manufacturing capabilities, not to mention the obvious financial wherewithal to build such amazing components in first place - an all too often overlooked component of the high-end industry at large.  Ideas are plentiful: the means of realizing them into reality quite lacking, most of the time.  That EINSTEIN’s big components sounded great was no surprise, what was a surprise is how well the all new The Tune integrated played.  Immediately seen and heard as an EINSTEIN component (dynamic realism, extended and open sound), it really mated very well with AudioMachina’s little speakers.  The new, The Phono, in development for some 3+ years, shows great signs of taking the crown of their existing The Turntable’s Choice phono stage.  Handsomely packaged the all too often heard - “hey, what’s in those cylinder shaped boxes” - should become a mute conversation starter soon enough.  Immediately apparent was the dramatically lowered (+6db!) noise floor of this new phono stage, which, seemingly sounds unheard of: the existing TTC already has such a vanishingly low noise floor that I always use my favorite “demo” to unsuspecting fellow ‘philes.  Turn up the volume and put your ears next to the tweeter… silence is golden (says AMC Theaters).  This could become a new reference phono stage regardless of price and competition.

Bob Graham, always the gentleman was also on hand to discuss the virtues of his latest creation, The Phantom II Supreme tonearm.  Affable, to the point and always happy to get into the nitty-gritty of his engineering efforts, his latest arm does in fact mate well with the overall function of these TechDAS ‘tables.  While I am not entirely familiar with Bob’s designs - other than the rudimentary - the sound approached a certain effortlessness, drive and punch that is hard to come by with vinyl playback.  No doubt in a more closed environment - read: less noisy environment - these qualities would come through even more.

Much to my surprise, AudioMachina doesn’t seem to have too large a following stateside: according to Karl Europe and Asia in particular are his two main business partners.   Come to think of it, I don’t ever recall seeing a recent review of their speakers either.  Shame, as they did really sound rather great - given that they are manufactured close to Loveland, Colorado to boot, this is even more of a surprise.  Then again, nothing surprises me in high end audio these days.  Look for a post mortem analysis-paralysis of the show at SF soon - I certainly took copious notes of various conversations and observations.  Stay tuned!



Permalink | | Posted to Shows and Expos | Writer: Danny Kaey

Chad Kassem & Acoustic Sounds, SF room 1119

The invitation was emailed to everyone and anyone.  I always new that Chad Kassem (AcousticSounds) spinning his latest TPs (that’s a test pressing for a record prior to getting the green light for production - for those of you in Rio Linda) would command attention.  Cue crowd control.  If the SonicFlare music room had been the size of a gala event, I bet we would have packed the house.  Simply put, Chad is the master of reissues - yes, there are others of course who put concern and thought into each of their reissue projects, alas, I don’t know of anyone who does it to the extreme as Chad does.  From sourcing the best possible tapes (the term “Master” has been thrown around so loosely lately that you do have to wonder at times) to faithfully recreating the jackets and artwork to distributing his wares globally - in one word: amazing.

Promptly at 430pm Chad opened his bag of goodies and started playing some new stuff off freshly cut lacquers: next up, he will be reissuing 25 titles from the vaults of the famous Contemporary label.  Home to such artists as Shelly Manne, Jack Marshall, Ornette Coleman and André Previn, this lineup of titles ought to be another runaway hit.  Needless to say the sound coming off the Brinkmann / Transfiguration combo sounded crazy good: tight, dynamic, clean, with great extension and a freshness you’d think these titles came off the studio just yesterday (cough, cough, if only the stuff coming out of studios yesterday would sound half as good…).

Another runaway hit will undoubtedly be Nina Simone’s first album, Little Girl Blue, originally released on Bethlehem records.  Perhaps - heck, for sure - one of the top 50 jazz albums of all time, Chad’s reissue (from the original tapes, guaranteed), sounded stunning.  As in jaw dropping.  As in your socks and shoes just fell off.  Seriously.  Nina Simone is quite literally in your room - now, I have what is considered to be a very “good” original 1st pressing with a remarkably clean cover courtesy of my friend and local record dealer Bob Donnelly, which I paid top dollars for.  In fact, if you look for clean copies on eBay or Discogs, you will probably have to part with at least $100 for your aural pleasures.  But even as good - and important it is to have an original - Chad’s reissue is simply put leaps ahead.  Released in 1958, the sound is at once riveting, soulful and intimate to the core.  This record will move your soul - guaranteed.  

Beethoven’s 6th read by the immortal Bruno Walter on double 45 is also coming soon, as is the one record no one has ever! played at an audio show: Nils Lofgren, Acoustic Live.  Even though this is a digital recording, the sound via record seemed to carry much more body and weight; speed and dynamics.  This became clearly evident as we pitted Chad’s upcoming release with the standard fare CD rip I had on my LaCie Thunderbolt drive.  Audiophiles all over the world will rejoice with this one!

Lastly, and perhaps most personal to me, Chad cued up what surely was in fact the runaway hit at Newport this year: Dean Martin’s Dream with Dean on double 45.  The history of this reissue dates back to my early childhood memories: growing up in Vienna, Austria, Dean Martin (and Jerry Lewis) were my two big movie heroes growing up.  That Dean Martin, nay Dino Paul Crocetti, became the highest paid actor at the height of his career (receiving a cool $1 million for his role in Airport plus percentage points off the backend) and an accomplished singer, crooner was only a natural progression of his career.  In short: Dean was a stud.  It must have been five, maybe 6 years that I kept bugging - nudging - Chad to reissue this record.  Naturally, everyone has a title they want Chad to reissue, alas, once Chad heard the record, all engines were set to full steam ahead.  Upon the first needle drop, you realize why this record became such a success: Dean and his trio are in your room - period.  The sound coming off the SonicFlare system was simply to die for, at once dynamic, life-like and of highest purity.  Easily one of the finest test records you can use to judge a system’s sound, I heard some good, some not so good renders at the show.  A keeper if ever there was one!  Pressed at QRP and out now at AcousticSounds.

Let’s face it: all of us in this hobby owe a great deal of gratitude to Chad Kassem and his team at AcousticSounds - his fanatical insistence to cover the most minute details of a reissue are what make these so incredibly great to begin with.  Thanks for all you do!  (Let’s do this again in a bigger room next year…)

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Permalink | | Posted to Shows and Expos | Writer: Danny Kaey

More faces at Newport

Even more faces at Newport … the ever affable Mike Davis (The Audiofederation in Colorado); Eric Johnson; Chris Connacker (ComputerAudiophile); Michael Fremer (Analog Planet); Abey Fonn (IMPEX Records)


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Permalink | | Posted to Shows and Expos | Writer: Danny Kaey

Faces at Newport

Faces seen at Newport… my favorite part of the show.  Always love and enjoy seeing all my friends, colleagues and industry leaders.  Thanks for all you do collectively as an industry body.  None of this would be possible without you.  (Kerry St. James, YG Acoustics; Lucette Nicoll, Nicoll PR; Dick Diamond, YG Acoustics; Francisco Duran, PF Scribe; Volker Bohlmeier, EINSTEIN Audio; Karl Schuemann, Audiomachina)



Permalink | | Posted to Shows and Expos | Writer: Danny Kaey

SonicFlare Music Room @ Newport 2015

For some time now I wanted to connect the dots and bring our own version of a hospitality suite to a HiFi show.  The thinking went something like so… “Hey DK, what’s playing in your system now?  What are you using as your reference?  What sort of music do you play to evaluate gear?”  Great questions I’d always reply.  To prove a point, I thus decided to partner with all the firms who’s gear I own and use as my reference and setup a music room at the show.  Connecting with Richard Beers to discuss my idea, we inked a deal and thus room 1119 came to be.

Neat.  The SF experience suite was to be more educational, more music focused and obviously with no sales pressure: after all, there where 229 other rooms you could buy gear from.  Sometimes however, an idea sounds better on paper (or your mind) than it does in reality - case in point, I originally thought that I would swap equipment out to showcase the difference in presentations, alas, getting the room to sound good with just one line of components, cables, etc. proved far more challenging than expected, thus following just one such swap, I quickly realized that I had to nix that idea.  Fine.  Fun was still to be had though - as was evident by the fact that the room was frequented consistently with enthusiastic fellow HiFi-ers.  

The system consisted of Willson Audio Sasha 2 speakers, Brinkmann Spyder, Brinkmann 10.5 arm, Transfiguration Proteus cartridge, Minus K Technologies isolation platform, EINSTEIN The Preamp, EINSTEIN The Silver Bullet OTLs (my amps of choice as of late), EINSTEIN The Turntable’s Choice phono preamp, EINSTEIN Octopus power strip (no conditioning of any kind), Nordost V2 cables, SonoruS ATR-10 tape machine, SonoruS Proximity Bass Control System, Meridian Explorer 2 USB DAC (which was sprung last minute due to a shipping issue with the PlayBack Designs MPS-5), Roon playback software and a pretty looking darTZeel CTH-8850 integrated.  Phew.  You don’t know all the gear you have until you have to wrap it, pack it and set it up 50 miles down the road.

Arian Jansen, SonoruS Audio’s resident genius (and he really qualifies for one!) was on hand - thank you - to help with system setup, final tweaking, etc. in particular, the SonoruS Audio Proximity Bass Control System needs to be setup by ear as it carefully restores the pressure and air velocity component of your main speaker’s bass output in relationship to your listening position.  Last but not least, SF’s latest digital scribe, Eric Johnson (look for more articles from this lad elsewhere here at SF), was also on hand to help with setup and of course interactions with the crowds.  Fun was to be had for 3 days.  More to come soon...


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Permalink | | Posted to Shows and Expos | Writer: Danny Kaey

T.H.E. Show Newport 2015

This year’s T.H.E. Show Newport, was for all intents and purposes a brilliant display of Richard Beers’ showmanship squared.  To put it mildly, he and his team (including the ever lovable Lucette Nicoll, of Nicoll PR), did a splendid job of focusing the local (and not so local) audio mavens to the show’s new home at the recently remodeled, all new Hotel Irvine.  What was particularly special for this year was the fact that we - SonicFlare - exhibited our very own hospitality suite, music room, reference review room all rolled into one.  Simply put, having attended show after show these past fifteen plus years, I felt I could bring a bit of SF pizzaz to the table.  And so we did… enjoy this first round of pics, with more to come in due time...

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Permalink | | Posted to Shows and Expos | Writer: Danny Kaey

Avant Newport 2015

So it begins… Newport 2015 is about to hit us, alas, we were invited to a small gathering at Maier Shadi’s The Audio Salon in Santa Monica, CA for some apéritifs of the musical variety.


Maier has been LA’s premier read exclusive audio destination for the better part of a year now and is amongst many others, a dealer for Wilson Audio Specialities.  Featuring WA Alexias, Constellation electronics and Transparent cabling, we were delighting in some of the music choices Michael Fremer brought along for the ride. Nice music, nice vibes, what more could you want?  That is of course the secret call sign to SAT’s (Swedish Audio Technologies) all new reference tonearm made of multiple layers of carbon fiber and some overall exquisite engineering.  While the price is of course commensurate to the performance ($30k US), I can’t think of any other arm that comes even close to approaching the herculean engineering effort that went into the design of this arm.  Sound?  Stunning.  For inquires, Maier Shadi is your US reference point.

Some more pictures from the event… See you at Newport!


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Permalink | | Posted to Shows and Expos | Writer: Danny Kaey

2014 LA Auto Show

Hard to believe it is that time of the year again… The 2014 LA Auto show is upon us and we will be there reporting on the hottest trends in all things high-end audio, nay, automotive. Stay tuned for more!

Permalink | | Posted to Shows and Expos | Spotlight | Writer: Danny Kaey

SonicFlare @ T.H.E. Show Newport Beach!


Please join  us for the best possible coverage at this year's 3rd annual T.H.E. Show in Newport beach, California!  This should be a most fun event, look for live YouTube video footage and coverage from the event.  Can't wait...

Permalink | | Posted to Shows and Expos

High End Munich 2013, May 9-11 2013

HE13 Logo vu

Another year, another High End Munich show.  Heralded as the most fun and best Hi-Fi show on the planet - there's a frikkin' badge of honor - this year will undoubtedly prove no different than year's past.  Big, with lots of Sturm und Drang, Germans and folks from all over the globe will descend upon the quaint, little town of Munich this weekend to check out the latest and greatest from everyone.  I remember (from my 2008 visit) that the show was indeed well attended, very well organized, but somehow just a bit too big for my taste.  I will be linking to all news reports as always.  Meanwhile, check out show reports at Analogplanet.com, 6moons and elsewhere.  Ciao!  A+.

Permalink | | Posted to Announcements | Shows and Expos

hifideluxe 2013, May 9-11 2013

Hifideluxe Logo 2013

2013 is shaping up to be quite the dramatic year for Hi-Fi shows again.  hifideluxe, originated as a side show to Munich other fancy show, High End Munich (which, incidentally, started off as yet another side show to the famous, now defunct IFA) will be showing off the latest European wares this weekend, May 9-11.  Be there, or be square.  Not quite, alas, show reports will abound and I'll be linking in hyperspace.  I attended hifideluxe in 2008 and left most impressed: a smaller, more manageable venue with much better sounding rooms and far more cost efficient than High End.  Killer! A+++

Permalink | | Posted to Announcements | Shows and Expos

2013 LA Auto Show… December 18, 2012
2012 LA Auto Show October 9, 2012
2012 Rocky Mountain Audio Fest October 9, 2012
SonicFlare goes to Denver... Oct. 14-16 October 10, 2011
preview: 2012 myCOMAND Mercedes-Benz süper-system December 7, 2008
Mercedes-Benz & Harman-Kardon super systems December 2, 2008
Aston Martin DBS & Bang & Olufsen BeoSound December 1, 2008
German Physiks & Vitus Listening Session April 10, 2008
Vegas 08 Roundup February 11, 2008
Vegas 08: Acoustic Plan Super System January 12, 2008
Vegas 08: Torture Demo Disc January 12, 2008
RMAF 07: Ragan Mena Reports November 26, 2007
RMAF 07: Acoustic Zen November 21, 2007
RMAF 07: Sonicweld $99k Super System November 19, 2007
RMAF 07: Lovecraft November 15, 2007
RMAF 07: Reference 3A and Antique Sound Labs November 14, 2007
RMAF 07: Vivid/Luxman Super System November 10, 2007
RMAF 07: Sjofn Guru AV Speaker System November 8, 2007
RMAF 07: Audio Kinesis & AtmaSphere System November 7, 2007
RMAF 07: Salagar $7999 Super Speakers November 6, 2007
RMAF 07: Tyler Acoustics & Edge November 5, 2007
RMAF 07: Proclaim Speakers November 1, 2007
RMAF 07: Genesis November 1, 2007
RMAF 07: Rau Research's Single Purpose Speakers November 1, 2007
RMAF 07: RL Acoustic + Opera $19k Super System October 31, 2007
RMAF 07: YG Acoustics, Best Speaker in the Multiverse? October 31, 2007
RMAF 07: Studio Electric T3 Super System $15k October 30, 2007
GamuT L-9 Super System $140k October 28, 2007
RMAF 07 Demo Music October 28, 2007
Robert Learner HE2007 Show Report June 11, 2007
High-End Publicity June 10, 2007
E-clec-tic-i-ty (2 of 2) SonicFlare at the Home Entertainment Show 2007 May 20, 2007
E-clec-tic-i-ty (1 of 2) SonicFlare at the Home Entertainment Show 2007 May 14, 2007
Vegas Hangover January 12, 2007
CES, The Musical! December 15, 2006
Rocky Mountain Audio Fest Roundup October 30, 2006
Acoustic Zen Adagio Jr. Followup w/ DK September 29, 2006
Acoustic Zen Adagio Jr. and Kevin Deal's Tube Funhouse September 28, 2006
Danny Kaey and NuForce August 24, 2006
NuForce S-9 World Premier August 18, 2006
HE2006: After the Ball is Over: Part 6 July 13, 2006
HE2006: After the Ball is Over: Part 5 July 7, 2006
HE2006: After the Ball is Over: Part 4 July 3, 2006
HE2006: After the Ball is Over: Part 3 June 29, 2006
HE2006: Shows, Shows, Shows June 26, 2006
HE2006: After the Ball is Over: Part 2 June 25, 2006
HE2006: Neat Motive 2 and Exposure 2010 S Series Take the Cake June 23, 2006
HE2006: Totem June 22, 2006
HE2006: After the Ball is Over: Part 1 June 21, 2006
HE2006: Nagra June 21, 2006
HE2006: Rockport, Gryphon, Rives June 20, 2006
HE2006: The Low End is the Exciting End June 20, 2006
HE2006: WLM, Audio Aero June 20, 2006
HE2006: Sonics, Lyra, Spiral Groove June 20, 2006
HE2006: Joseph Audio and Soundsmith June 20, 2006
HE2006: DC Gold June 19, 2006
HE2006: Hyperion, Hyperion and more Hyperion June 19, 2006
HE2006: Eben and VTL June 19, 2006
HE2006: Moscode and Joseph June 19, 2006
HE2006: Dynaudio and Simaudio June 19, 2006
HE2006: Usher Audio June 16, 2006
HE2006: Diamonds in the Rough June 16, 2006
HE2006: Lamm, Metronome, Wilson June 16, 2006
HE2006: Zu Audio Pictures June 15, 2006
HE2006: Zu Audio June 15, 2006
HE2006: Brooks Berdan, Vandersteen, Ayre June 15, 2006
HE2006: Brooks Berdan, Wilson, VTL June 15, 2006
HE2006: HeadRoom June 14, 2006
HE2006: Bel Canto June 14, 2006
HE2006: TAD Spawns Pioneer EX June 14, 2006
HE2006: Mobile Fidelity Carbon Fiber Cartridge June 13, 2006
HE2006: Odyssey Audio June 13, 2006
HE2006: Music Direct, E.A.R., Valve, Legacy June 13, 2006
HE2006: Thiel C3.7 June 12, 2006
HE2006: Acoustic Zen Adagio, Red Dragon and Modwright June 12, 2006
HE2006: Studio Electric June 12, 2006
HE2006: Verity Audio June 8, 2006
HE2006: Nola, ASL and Kuzma June 8, 2006
HE2006: VonSchweikert and CIAudio June 8, 2006
HE2006: An MBL Romance June 7, 2006
HE2006: MBL's Babies June 7, 2006
HE2006: Reimyo and Harmonix June 7, 2006
HE2006: AAA-Audio and Dynaudio June 7, 2006
HE2006: 666 Day of the Devil June 6, 2006
HE2006: Signals Super.Fi, Peak Consult, Continuum Caliburn, Eighth Nerve June 6, 2006
HE2006: Zu Audio Rave June 5, 2006
HE2006: DVD Rewinder June 5, 2006
HE2006: KEF and Bryston June 5, 2006
HE2006: Bolzano Villetri June 5, 2006
HE2006: Optimal Enchantment, Vandersteen and AR June 5, 2006
HE2006: Music Hall Audio, Shanling and Epos June 5, 2006
HE2006: Von Gaylord June 5, 2006
HE2006: Lipinski Sound and Free Booze June 5, 2006
HE2006: Wilson Show Room June 4, 2006
HE2006: Wilson WATT/Puppy Demo June 4, 2006
HE2006: Gamut Speakers and Amps June 3, 2006
HE2006: Bard Audio Sans Cables June 3, 2006
HE2006: Chord and Neat MF7s June 2, 2006
HE2006: Ferguson Hill June 2, 2006
HE2006: Fly on the Wall June 2, 2006
HE2006: What's a Woman? This is Audio! June 2, 2006
HE2006: Nothing in Life is Free June 2, 2006
HE2006, Baby! May 31, 2006
Wilson at Brooks Berdan May 22, 2006
Oswald's Mill Audio Bordello May 19, 2006
Zu Rave: Audio and Cool Together at Last! May 13, 2006
VTV Expo New Jersey Roundup May 9, 2006
VTV Expo New Jersey April 21, 2006
Stereophile Image Galleries and Special HE2006 Discount April 19, 2006
Montreal Show Pics April 7, 2006
Unwashed Masses Converting to Audiophilia? March 21, 2006
6Moons Invades Russia March 21, 2006
Vegas - Swedish Statement January 19, 2006
Vegas - Signals Super-Fi and Eighth Nerve January 19, 2006
Vegas - Gini Systems January 19, 2006
Vegas - Empirical Audio and the USB Cause January 18, 2006
Vegas - Audiopax January 12, 2006
Vegas - Harbeth, Naim, Redpoint January 12, 2006
Vegas - Tri and Micropure January 10, 2006
Vegas - Cabasse and Bel Canto January 10, 2006
Hot Vegas Review January 10, 2006
Trade shows, here we come! January 5, 2006
GuangZhou AV Fair: Chinese Insanity 2005 December 8, 2005
6Moons Does Europe November 30, 2005
VTV EXPO Roudup November 29, 2005
VTV EXPO - Edgar Horn November 29, 2005
VTV EXPO - Acoustic Image November 28, 2005
VTV EXPO - AudioKinesis November 28, 2005
VTV EXPO - Imagine HiFi November 28, 2005
VTV EXPO - Tonian Labs November 28, 2005
VTV EXPO - re:X Speakers November 23, 2005
VTV EXPO - Gini Systems November 23, 2005
VTV EXPO - Welborne Labs November 22, 2005
VTV EXPO - Sonist November 22, 2005
VTV EXPO - DeHavilland November 21, 2005
VTV EXPO - Acoustic Horns November 21, 2005
VTV EXPO - Jumping Cactus Loudspeakers November 21, 2005
VTV EXPO Wraps November 21, 2005
Last Call for VTV EXPO November 18, 2005
Vacuum Tube Valley Show November 16, 2005
High Fidelity Belgium 2005 Show Coverage November 15, 2005
6Moons Covers the RMAF 05 October 7, 2005
CEDIA UK Home Entertainment Show August 1, 2005