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| Permalink | Shows and Expos , Writer: Danny Kaey | Posted by Danny Kaey on Dec 01 '08

German Physiks & Vitus Listening Session

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Permalink | | Posted to Shows and Expos | Speakers $20k and up | Systems $20k-$50k

Vegas 08 Roundup

Vegas 08 was truly an exhibition of sports cars for your living room. If one were to add up all the equipment on display, I have no doubt this year’s total audio MSRP would double years past. $100k speakers? Check. $139k amps? Check. $25k monitors? Check. $21k subwoofer? Yup, Vegas had it all.

Apologies for those readers looking for gear they can actually put in their living rooms – next year, one hopes more reasonably-priced equipment will make an appearance. For now, lean back and ogle these remaining supermodels of hi-fi not previously covered in our posts...

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Permalink | Comments (3) | Posted to Shows and Expos | Vegas 08

Vegas 08: Acoustic Plan Super System

Award time. The Acoustic Plan system, featuring Acoustic Plan's Veena speakers ($28k), Sarod preamp ($13000), Santor power amp ($11000) and Vadi CD player ($TBA) was one of the most impressive and talked about demos at the show. Shooting the breeze with one big name reviewer, I was told I had to check out that "open baffle thing with lowther drivers." I'm glad I followed his advice. Alas, great sound comes with a steep price tag.

SOUND
The sound style falls into the Emotional category, leaning towards the Smooth group. The sound from the Lowther drivers and hybrid amps was warm and friendly with the signature non-fatiguing dynamics the Emotional and Smooth fans love.

The entire presentation was seamless from top to bottom and not at all what one would expect from a Lowther-based system of this kind. While there were plenty of the traits that single driver fans desire, serious work has gone into taming the white cone's issues and handling music in all genres. The sound was fast and detailed and offered that signature musical midrange. The tube hybrid amplification and mechanical qualities of the drivers did a fine job of compensating for the nastiness in some of my torture tracks without sacrificing clarity and detail.

Naturally, the entire system -- from Acoustic Plan Veena speakers to CD players and amps -- works together harmoniously. Component synergy exists and the Acoustic Plan system will have people rethinking a life component-swapping madness.

TECH TALK
The slim Veena speakers are open baffles featuring 6" Lowther drivers, the hallmark of emotional systems, combined with four 10" powered woofers (a passive version is also available). The active system runs at 96dB while the passive version drops to 88dB, both with an 8 ohm impedance. The bass can be adjusted, though it's not as customizable as a full-blown sub (and nowhere near a DSP system). No frequency specs are listed, but the dipole-radiating subs reach low enough to be highly satisfying. The bass was also of a smooth, fast quality unique to dipole systems. A smaller speaker called the "Avarta" is also available and features double 10" woofers and the same 6" Lowther.

The Santor amp is a hybrid system with 50 MOS-FET watts and tubes in the signal path. The preamp and CD player are both tube-based and feature some of the classiest chassis construction around.

Big pics next page...

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Permalink | | Posted to Show Superstars | Shows and Expos | Systems | Systems $50k-$100k | Vegas 08

Vegas 08: Torture Demo Disc

As we all know, listening to familiar music is the only way to evaluate a hi-fi system. And yet, a not-insignificant number of journalists and serious audiophiles listened to the manufacturer’s demo tracks at this year’s Vegas hi-fi extravaganza. DVD-A players or reel-to-reel machines playing master tapes or custom cuts are almost worthless in evaluating a system’s overall performance. While these exclusive tracks sound absolutely fantastic, if you really want to know how a system sounds, you'd better bring your plebeian silver discs.

My demo disc contained a five minute mix of 30 second cuts cross-faded and burned onto a CD. I used as much popular music from 2007 as possible (after all, hi-fi is all about new and exciting music) and included tracks with a variety of recording styles, dynamic compression and MP3 nastiness.

If I didn't have a chance to hear my own music on a system, I'll let you know. Additionally, I'll let you know the kinds of looks and responses I received when playing non-audiophile (aka popular) music. A few people left the room clutching their stomachs, but most exhibitors and show-goers were thankful for a respite from the never-ending string quartets and elevator jazz.

The 5 minute SonicFlare Torture Demo Disc contains:

Star Wars Main Theme -- John Williams – City of Prague Philharmonic

Let’s be real, soundtracks are the bread and butter of classical album purchases these days. The Star Wars theme, in addition to being a fun way to start any demo disc, is one fantastic speaker-busting tune. The huge orchestral fireworks demand liberal cranking of the volume knob while the quick transitions to happy strings requires systems to be light on their toes.

Afro Celt Sound System – Dark Noon, High Tide -- Gangs of New York Soundtrack

This is one track with terrifyingly explosive bass and worlds of rough string and drum dynamics through the midrange. While the track is free of dynamic compression, I ripped this to 192kbps MP3 to see just how a system would handle the MP3-based nastiness on the low end with live instruments.

Kanye West -- Stronger

If a system can’t handle hip-hop, it has no hope appealing to the next generation. Kanye West was huge this year and his "Stronger" track, while suffering from typical dynamic compression, sounds great on systems that can step up to this kind of Escalade thumping power.

Etta James – I’ll Drown In My Own Tears – Live in New York

This woman eats microphones for lunch. No compression or reverb combined with dynamics that go from subtle audience hoots and hollers to Etta’s live vocal explosions that shoot well beyond the range of the mic, this cut tested a system’s tolerance for rough recordings and extreme transitions (and blues as thick as butter).

Amy Winehouse – You Know I’m No Good – Back to Black

Female vocals are one of the classic tests of hi-fi systems, and rightfully so. Amy Winehouse took her brand of modern hipster jazz to the masses in '07 so who better to represent the next generation of back alley angst than a woman who can’t keep herself out of the news. Despite the album's "big label" production (compression, reverb, etc), Amy's vocals don't suffer the way rockers' voices tend to turn into mush.

Spoon – The Underdog – Ga Ga Ga Ga Ga

Modern rock is a must for any good demo disc and Spoon’s refined sound is some of the best in 2007. The marginal dynamic compression doesn’t squeeze the solid recording and excellent dynamics of the hard-hitting instruments. This great piece, more than any other, had many people smiling, bobbing their heads and, God forbid, actually enjoying themselves. If heads weren't bobbing, something was wrong with the system.

Fiona Apple – Extraordinary Machine

Another female vocal track but with 192kbps MP3 compression. This track has deep, solid notes and an overall excellent mastering job. Keeping the vocals clear and alive is a challenge with this much background bass action bouncing the mid-woofers. Atypical Fiona but a damn fun (and demanding) track.

Eddie Izzard – Being For The Benefit Of Mr. Kite -- Across The Universe Soundtrack

Eddie Izzard’s cornucopia of sounds and strange vocal stylings with MP3 compression made for a useful rock demo. Vocals, horns, strings, guitar, drums, blue people – it has it all with a fantastic mastering job to boot.

Dizzee Rascal – Wanna Be – Maths + English

Out of the gutters of the UK hip hop scene, Dizzee Rascal’s “Wanna Be” (with Lily Allen) is a banging digitally and dynamically compressed hip-hop track. With male and female vocals and a world of busy sounds, this track tested a system’s tolerance for the kind of tunes most likely to be found on the iPods of discerning mall rats everywhere.

Yello -- Planet Dada

Bass, bass and more bass. This track (thrust upon me by SonicFlare’s very own Danny Kaey) put out so much meat from 20Hz (and below) to 120Hz, it actually shook the imbedded lights out of the ceiling of one Mirage penthouse suite. Combined with zero dynamic compression and wonderfully delineated techno sounds through the rest of the frequency range, this track really pushed systems to club-level dynamics which, for one speaker, resulted in a smoldering crossover and smoke escaping from the vents. Ah, good times...

OTHER TRACKS:
My mix CD, in addition to my 5 minute mix (which John Devore of Devore Fidelity called my ADD Mega Mix), included tracks from MIA, Amon Tobin, Massive Attack, live Daft Punk, Bjork, Rage Against The Machine, Linkin Park as well as random cuts off Danny’s uber mix of amazing music.

Permalink | | Posted to Shows and Expos | Vegas 08

RMAF 07: Ragan Mena Reports

So what if the Colorado Rockies were swept by the Boston Red Sox in the World Series. Look on the bright side Denver, They did clinch the NL Pennant and this years Rocky Mountain Audio Festival was bigger and better than ever. Suck it up and just repeat the old Cubbies adage, “There’s always next year.” As for the 2007 RMAF, those of us who made the pilgrimage to the Denver Marriot Tech Center, we were rewarded with great sound, great company, and interesting seminars led by industry professionals. Besides the central theme of 2ch music, this year’s festival had a much welcomed showcase of manufactures, distributors, and dealers with digital music on the brain. Everyone knows the mood-altering benefits of vinyl music, but it was nice to see emphasis placed on digital music in a good way. (Bye-bye MP3, Hello FLAC) The only bad thing about the show was its enormous size. Wait, isn’t that a good thing? So many rooms, so little time, perhaps next year I’ll start hitting up manufactures in the parking lot….Enjoy the eye candy!

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Permalink | | Posted to RMAF 07 | Shows and Expos | Writer: Ragan Mena

RMAF 07: Acoustic Zen

Another room that received a lot of great attention was Acoustic Zen. Their new $12k Crescendo is gunning to replace the very best speakers from other Refined-type companies like Wilson and Genesis. All drivers are custom creations featuring an unusual short coil/long gap magnet structure. Like the less expensive and wildly popular Adagios, the Crescendos feature transmission-line bass loading and massive cabinets.

Halco provided the components. It's hard to say how each piece sounded, but the overall sound was definitely Refined and some of the very best at the show. If the comments at the show are any indication, expect to see people saying, "I replaced my far more expensive XYZ speakers with Acoustic Zen!"

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Permalink | Comments (2) | Posted to RMAF 07 | Show Superstars | Shows and Expos | Speakers $10k-20k

RMAF 07: Sonicweld $99k Super System

Paging Kanye West: Your new speakers are here. At $99k, the Sonicweld system has enough polished aluminum to out-bling Bugatti. And with active x-over, room correction and amazing sound, the Sonicweld system was the best Precise-type room at the show.

Being the nosey guy I am, I asked everyone I ran into what their favorite room was. Sonicweld came up a number of times usually accompanied with arm waving and copious gushing. Taste is subjective, of course, but the Sonicweld's Precise-type sound was simply seductive. The speed of the 2" midrange array was incredibly fast with class-leading definition between notes. The sound wasn't too cool or sharp or etched, just perfectly flat and amazingly revealing. Those who like their sound colored, look elsewhere. But for those with a love of absolute accuracy (and have a recording contract at Aftermath), put Sonicweld at the top of your list.

Sonicweld is located in Utah (along with 50% of the other high-end speaker manufacturers) and sells direct with in-home installation and optimization. $99k is steep, but the man behind Sonicweld Josh Heiner revealed there's a new system in the works. Once he's finished milling his current backorder of super systems, he's going to get down to a sub $10k system for the rest of us.

TECH TALK
The speakers are 4-ways with a silk dome tweeter, six 2" titanium midrange drivers and six 4" aluminum woofers. Double outboard 12" subs are in separate enclosures. Unusual for Precise-type speakers, the titanium drivers run wide-range while the six woofers are bipoles firing forward and backward. All drivers feature individual ICEpower amplification controlled by a DEQX digital crossover and room correction unit. And that's just the beginning, check out their website for all the tech that goes into these amazing speakers.

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Permalink | Comments (2) | Posted to RMAF 07 | Show Superstars | Shows and Expos | Speakers $20k and up | Systems | Systems $50k-$100k

RMAF 07: Lovecraft

After the passing of Terry Cain, famed single driver Fostex speaker company Cain & Cain was taken over by a new company called Lovecraft. The guys behind Lovecraft were comrades of Terry, and the new company offers the famous classics like the Abby and Ben while dishing up some new products and colorful finishes.

New at the show are Lovecraft's Walla Walla Walla Sound folded horn speakers (the Sponge Bob shaped speakers pictured below). Featuring a single Fostex 8" Sigma driver, the WWW's are classic Emotional-type speakers and run $3300/pair.

The desktop system below is called the Noogi & Spud. For $1600 you get the single 3" driver monitors with a powered subwoofer section. Very cool product and the finishes are absolutely fantastic. The guys at Lovecraft are young and hip with and into the computer audio, retro tubes and funky finishes.

Click "read full article" for some of the coolest speaker finishes around. The speakers, as of the show, weren't for sale, but if you really want a pair with flames, their automotive artist can probably hook you up. Check 'em out.

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Permalink | Comments (1) | Posted to RMAF 07 | Shows and Expos | Speakers $1k-2k | Speakers $2k-5k

RMAF 07: Reference 3A and Antique Sound Labs

Reference 3A's new Grand Veena speakers ($7995) are receiving a good deal of attention, and rightfully so. Paired with $9500 of Antique Sound Labs electronics and utilizing a Copland Digital Room Correction Module, the system put out some of the best Refined-type sound at the show. Great voicing, huge dynamics, perfectly smooth bass and really detailed presentation make for an absolutely fantastic $17500 system.

The Grand Veenas signature trait is a 7" "Hyperexponential" midrange driver. In a fairly unusual move for a large, multi-way floorstander, this driver runs wide-range and without a crossover to minimize parts in the signal path.

The Grand Veena's bass is provided by dual 8" woofers tweaked by the Copland DRC-205 digital room correction device. You can, with a single push of a button, even out the bass and, if you dare, manipulate the entire frequency via your computer. Very cool product.

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Permalink | Comments (1) | Posted to RMAF 07 | Shows and Expos

RMAF 07: Vivid/Luxman Super System

If you've ever heard or read about Vivid speakers, know that the sound at RMAF was completely different. At past shows, Vivid has demoed with a variety of gear (Pathos is the one I can recall), but this time, Vivid was matched up with Luxman equipment, both companies now under the wing of On a Higher Note by Philip O'Hanlon (whose past projects saw the launch of Halcro into the big time).

Talk about synergy. The Vivid K1 speakers ($20k/pair) with the Luxman L-590A II integrated ($9000) were simply out of this world good. Flushed out with a Weiss Jason CD player, the total system cost comes out to roughly $40k.

Philip is one man who loves the system-centric approach. He picked up these two brands simply because of the amazing synergy. Philip is packaging the smaller Vivid speakers and a Luxman integrated for a package price of $15k and marketing it to doctors, lawyers and rockstars everywhere.

MusicGiants, of lossless downloading fame, was a joint exhibitor in this room. After I played my demo track, Philip smiled and said, "You have to hear this." The sample tracks he put on simply blew my mind. What was the deal? Hi-rez tracks downloaded from MusicGiants and burned onto a DVD-A. Philip wanted to have a direct computer connection to play these hi-rez tracks, but the rig didn't arrive. While SACD and DVD-A may be dying a quick death, computer-based hi-rez playback could very well be the glorious future we've all hoped for.

As for the system sound, everyone I talked to said this system was unlike anything they've heard from Vivid before and, while past Vivid rooms weren't anything to talk about, most everyone I talked to raved about the new Vivid/Luxman super system. Interestingly, Vivid/Luxman is placed in the Vivid group on the Sonic Circle. I didn't name the categories with Vivid in mind and the speakers could very well be in another group. But the Vivid/Luxman system together provided one of the absolutely best Vivid-type demos at the show.

Vivid, if you know anything about this South African company, has its roots in famed Brit company Bowers & Wilkins. While some of the Vivid tech is derived from the B&W Matrix/Nautilus stable, to me, the Vivid speakers, both at this show and shows past, sound nothing like the B&W 800 series. B&W has a very distinct sound, and Vivid exhibits none of these characteristics.

Luxman is a classic Japanese company, recently revamped with new lines of solid state and tube components. I've heard the new Luxman MQ-88 amp (KT88 tubes) outside of the show and the sound is, upon first blush, a really great and unique Vivid-style sound. It's unlike any other tube gear I've heard before and, to play Nostradamus for a second, will really appeal to a lot of the new school American hi-fi fans who are gravitating towards this kind of rich and powerful sound.

TECH TALK
Vivid has some very interesting tech behind it. First, the driver compliment. The Vivid K1 is a 3.5-way speaker with all custom aluminum drivers. What you can't see is the two additional woofers on the back side, putting out frequencies below 100Hz. The front woofers mirror the back woofers, but run all the way up to 900Hz to mate with the midrange dome (which, in turn, runs up to 4kHz).

As for construction, the "cabinets" are "carbon fiber loaded polyester compound." While I'm a little rusty on my polyester compounds, this method creates a cabinet with walls that vary in thicknesses to kill cabinet resonances. Additionally, like a sports car shaped in a wind tunnel, the Vivids are shaped to virtually disappear from driver reflections that would otherwise be bouncing off of the hard edges of a traditional box cabinet.

Interestingly, the Vivid K1 speakers are rated at 89dB sensitivity (6 ohms) while the Luxman pure class-A L-590A II integrated amp puts out all of 30 watts into 8 ohms. The system had no right to sound as powerful and full as it did. I hung out in the Vivid/Luxman room on two occasions and people would come in and say, "Wow! So how many watts is that amp?" And Philip O'Hanlon would tell them, and then smile as their faces contorted in confusion. There's something funky going on inside the Luxman amp. Check out the website for all the tech talk you can handle and expect to see the L-590A II winning all kinds of awards from around the interwebs.

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Permalink | Comments (2) | Posted to Integrated Amp $6k to 10k | RMAF 07 | Show Superstars | Shows and Expos | Speakers $20k and up | Systems | Systems $20k-$50k

RMAF 07: Sjofn Guru AV Speaker System

If you haven't heard of the Sjofn (pronounced: "shoe-fen") Guru system yet, be prepared for reviews coming your way from every magazine. In fact, SonicFlare's own Robert Learner has the Guru system in home. So what's the big deal? Big bass, little box. Believe me, you've never heard deeper bass from a smaller cabinet (or driver) before. The best part is the Guru is designed as a system. Combine huge bass, small size and great sound for $3000 and you have yourself a Show Superstar.

First of all, Sjofn Hi-Fi is the Swedish parent company putting together the pieces: the Guru QM10 speakers ($1995), Xindak integrated and CD player ($400 each), and Supra cables for a package price of $3000. At RMAF, they also showed their $9,995 QM40 speakers with Xindak equipment for their $14k system. Speakers shown were either matte or gloss black, though other colors will be available in the future. Additionally, I was told by Sjofn's finance man that a number of retail stores are in the works with the first in the Denver and the next in Vegas. Single-brand hi-fi stores are a rarity, but if anyone can do it, it'll be the Sjofn.

When I came into the room, the Guru guys were probably thinking I, like everyone else, had an audiophile demo disc to play. But when my bass heavy tracks came on, their eyes lit up. They were pretty confident about putting out big bass, so I said, "We'll see about that -- crank the suckers up!" After a moment, however, the volume was so high, one of the Guru crew told me I was getting close to "blowing up the speakers." He then said something in Swedish to his coworker who turned the volume down to normal human levels. But before they got a chance to tame the system, I snuck up to the little 5" driver and found it bouncing back and forth more than any 5" driver I've seen before.

In terms of sound, the system falls into the Intense camp (with a slight lean towards the Refined group). The system was cool instead of warm, but not so cool as to turn people off. There's obvious system synergy going on between the Guru speakers and Xindak gear. The differences between the $3k and $14k systems were, clearly, bass output, but also definition in notes and overall clarity. As for how each of the components sound, we'll just have to wait and see.

TECH TALK

So how does Guru work its magic? As you can see from the pictures, the speakers are pushed back against the front wall. Play with any speaker for a few minutes and you know the closer to the front wall, the bigger the bass. Also, the closer you sit to the back wall, the bigger the bass.

Now, positively utilizing room gain is nothing new -- Linn did it back in the day, as well as a few other manufacturers at RMAF. But the Guru speakers are the smallest, most powerful I've ever heard. Looking at the speaker the first thought that came to mind was "transmission line." No, I was told, speakers are, in fact, bass reflex with a special design rather than the hole-in-box approach.

Of course, if everyone could get monster bass from pushing their speakers against the wall, they would. So what are the trade offs? The reason the majority of manufacturers design their speakers for mid-room placement is to tame room reflections and increase sound stage. Guru deals with the room reflection issues in a couple of ways. As you can see from the picture below, the front wall is covered with sound-sucking foam. Guru designer Ingvar Ohman explained that high frequency reflections are the major issue with close-wall placement and taking the reflections out of the game is the only way to go.

As for sound stage, while it's hard to tell from the picture, the speakers are slightly farther apart than typical speaker setups and, most importantly, toed in so the tweeter axis converge a few feet in front of the listener. Again, this is nothing new (Audio Kinesis does this) but the effect is really obvious: awesome sound stage with depth, width and, interestingly, stable imaging for any position in the room. Ingvar explained that when you sit, say, to the left of center, the right speaker, now pointing directly at you, sends out a higher, faster frequency that compensates for the delay from the other speaker. While I've never heard it explained like that before, the results speak for themselves.

There is only one trade off that may be a sticking point. The $2000 Guru QM10 doesn't have the clarity and definition as other speakers in this class. My guess is that since the woofers are forced to work extra hard to get the bass, the midrange frequencies lose definition relative to other speakers with less excursion. Ideally, a speaker would have all frequencies coming from the same plane. But when you have a driver with, say, an inch of excursion, the mid frequencies from one moment to the next may be offset by as much as an inch. It's not as if you're experiencing Doppler effect, it's just that the Gurus aren't as defined as other speakers in the same class.

Overall, the Gurus are brilliantly engineered and sound fantastic. While the black cabinets don't scream luxury hi-fi, the Gurus are the ticket for people wanting killer sound without big boxes and huge bass without subwoofers.

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Permalink | Comments (2) | Posted to RMAF 07 | Show Superstars | Shows and Expos | Speakers $1k-2k | Speakers $5k-10k | Systems | Systems $1000-$5000

RMAF 07: Audio Kinesis & AtmaSphere System

My love for Audio Kinesis began at a Los Angeles expo a few years back where Audio Kinesis showed prototype bookshelf speakers with, if I remember correctly, a half dozen drivers per side. Later, Audio Kinesis released the more conventional looking 2-way Jazz Modules ($4000) and Storm Bringers ($2800). At RMAF, Audio Kinesis's main man Duke LeJune revealed the new Dream Makers ($9000), which take his signature sound and technology to the limit. One Audio Kinesis owner told Duke he should name his new speakers "The Crocs" in deference to my glowing show coverage where I defined the Audio Kinesis sound as having "snap like a croc." Duke, you can still change the name, you know...

The new speakers have all his signature snap and more. The system, paired with top AtmaSphere equipment, lands directly in the Vivid camp. The bass was powerful and tight while the overall presentation was wall to wall and incredibly precise. The AtmaSphere amps and overall speaker tuning was warm with really lively voices. The Jazz Modules claim up to 112dB of output with only 1dB of compression. The Crocs, er, Dream Makers, should put out even more.

TECH TALK
The driver compliment is similar to the Jazz Modules I raved about, but feature a very unique second driver compliment on the back of the speaker that radiates in bipole fashion. The bipole feature puts out larger bass and a bigger sense of scale and sound stage. The downside -- if there is one -- is that room placement becomes a little more tricky.

Sourced from famed TAD, the alnico woofer is one of the most expensive drivers in the world. Check out the Audio Kinesis site for a lot more talk about the tech behind these speakers.

Permalink | | Posted to RMAF 07 | Shows and Expos | Speakers $5k-10k | Systems

RMAF 07: Salagar $7999 Super Speakers November 6, 2007
RMAF 07: Tyler Acoustics & Edge November 5, 2007
RMAF 07: Proclaim Speakers November 1, 2007
RMAF 07: Genesis November 1, 2007
RMAF 07: Rau Research's Single Purpose Speakers November 1, 2007
RMAF 07: RL Acoustic + Opera $19k Super System October 31, 2007
RMAF 07: YG Acoustics, Best Speaker in the Multiverse? October 31, 2007
RMAF 07: Studio Electric T3 Super System $15k October 30, 2007
GamuT L-9 Super System $140k October 28, 2007
RMAF 07 Demo Music October 28, 2007
Robert Learner HE2007 Show Report June 11, 2007
High-End Publicity June 10, 2007
E-clec-tic-i-ty (2 of 2) SonicFlare at the Home Entertainment Show 2007 May 20, 2007
E-clec-tic-i-ty (1 of 2) SonicFlare at the Home Entertainment Show 2007 May 14, 2007
Vegas Hangover January 12, 2007
CES, The Musical! December 15, 2006
Rocky Mountain Audio Fest Roundup October 30, 2006
Acoustic Zen Adagio Jr. Followup w/ DK September 29, 2006
Acoustic Zen Adagio Jr. and Kevin Deal's Tube Funhouse September 28, 2006
Danny Kaey and NuForce August 24, 2006
NuForce S-9 World Premier August 18, 2006
HE2006: After the Ball is Over: Part 6 July 13, 2006
HE2006: After the Ball is Over: Part 5 July 7, 2006
HE2006: After the Ball is Over: Part 4 July 3, 2006
HE2006: After the Ball is Over: Part 3 June 29, 2006
HE2006: Shows, Shows, Shows June 26, 2006
HE2006: After the Ball is Over: Part 2 June 25, 2006
HE2006: Neat Motive 2 and Exposure 2010 S Series Take the Cake June 23, 2006
HE2006: Totem June 22, 2006
HE2006: After the Ball is Over: Part 1 June 21, 2006
HE2006: Nagra June 21, 2006
HE2006: Rockport, Gryphon, Rives June 20, 2006
HE2006: The Low End is the Exciting End June 20, 2006
HE2006: WLM, Audio Aero June 20, 2006
HE2006: Sonics, Lyra, Spiral Groove June 20, 2006
HE2006: Joseph Audio and Soundsmith June 20, 2006
HE2006: DC Gold June 19, 2006
HE2006: Hyperion, Hyperion and more Hyperion June 19, 2006
HE2006: Eben and VTL June 19, 2006
HE2006: Moscode and Joseph June 19, 2006
HE2006: Dynaudio and Simaudio June 19, 2006
HE2006: Usher Audio June 16, 2006
HE2006: Diamonds in the Rough June 16, 2006
HE2006: Lamm, Metronome, Wilson June 16, 2006
HE2006: Zu Audio Pictures June 15, 2006
HE2006: Zu Audio June 15, 2006
HE2006: Brooks Berdan, Vandersteen, Ayre June 15, 2006
HE2006: Brooks Berdan, Wilson, VTL June 15, 2006
HE2006: HeadRoom June 14, 2006
HE2006: Bel Canto June 14, 2006
HE2006: TAD Spawns Pioneer EX June 14, 2006
HE2006: Mobile Fidelity Carbon Fiber Cartridge June 13, 2006
HE2006: Odyssey Audio June 13, 2006
HE2006: Music Direct, E.A.R., Valve, Legacy June 13, 2006
HE2006: Thiel C3.7 June 12, 2006
HE2006: Acoustic Zen Adagio, Red Dragon and Modwright June 12, 2006
HE2006: Studio Electric June 12, 2006
HE2006: Verity Audio June 8, 2006
HE2006: Nola, ASL and Kuzma June 8, 2006
HE2006: VonSchweikert and CIAudio June 8, 2006
HE2006: An MBL Romance June 7, 2006
HE2006: MBL's Babies June 7, 2006
HE2006: Reimyo and Harmonix June 7, 2006
HE2006: AAA-Audio and Dynaudio June 7, 2006
HE2006: 666 Day of the Devil June 6, 2006
HE2006: Signals Super.Fi, Peak Consult, Continuum Caliburn, Eighth Nerve June 6, 2006
HE2006: Zu Audio Rave June 5, 2006
HE2006: DVD Rewinder June 5, 2006
HE2006: KEF and Bryston June 5, 2006
HE2006: Bolzano Villetri June 5, 2006
HE2006: Optimal Enchantment, Vandersteen and AR June 5, 2006
HE2006: Music Hall Audio, Shanling and Epos June 5, 2006
HE2006: Von Gaylord June 5, 2006
HE2006: Lipinski Sound and Free Booze June 5, 2006
HE2006: Wilson Show Room June 4, 2006
HE2006: Wilson WATT/Puppy Demo June 4, 2006
HE2006: Gamut Speakers and Amps June 3, 2006
HE2006: Bard Audio Sans Cables June 3, 2006
HE2006: Chord and Neat MF7s June 2, 2006
HE2006: Ferguson Hill June 2, 2006
HE2006: Fly on the Wall June 2, 2006
HE2006: What's a Woman? This is Audio! June 2, 2006
HE2006: Nothing in Life is Free June 2, 2006
HE2006, Baby! May 31, 2006
Wilson at Brooks Berdan May 22, 2006
Oswald's Mill Audio Bordello May 19, 2006
Zu Rave: Audio and Cool Together at Last! May 13, 2006
VTV Expo New Jersey Roundup May 9, 2006
VTV Expo New Jersey April 21, 2006
Stereophile Image Galleries and Special HE2006 Discount April 19, 2006
Montreal Show Pics April 7, 2006
Unwashed Masses Converting to Audiophilia? March 21, 2006
6Moons Invades Russia March 21, 2006
Vegas - Swedish Statement January 19, 2006
Vegas - Signals Super-Fi and Eighth Nerve January 19, 2006
Vegas - Gini Systems January 19, 2006
Vegas - Empirical Audio and the USB Cause January 18, 2006
Vegas - Audiopax January 12, 2006
Vegas - Harbeth, Naim, Redpoint January 12, 2006
Vegas - Tri and Micropure January 10, 2006
Vegas - Cabasse and Bel Canto January 10, 2006
Hot Vegas Review January 10, 2006
Trade shows, here we come! January 5, 2006
GuangZhou AV Fair: Chinese Insanity 2005 December 8, 2005
6Moons Does Europe November 30, 2005
VTV EXPO Roudup November 29, 2005
VTV EXPO - Edgar Horn November 29, 2005
VTV EXPO - Acoustic Image November 28, 2005
VTV EXPO - AudioKinesis November 28, 2005
VTV EXPO - Imagine HiFi November 28, 2005
VTV EXPO - Tonian Labs November 28, 2005
VTV EXPO - re:X Speakers November 23, 2005
VTV EXPO - Gini Systems November 23, 2005
VTV EXPO - Welborne Labs November 22, 2005
VTV EXPO - Sonist November 22, 2005
VTV EXPO - DeHavilland November 21, 2005
VTV EXPO - Acoustic Horns November 21, 2005
VTV EXPO - Jumping Cactus Loudspeakers November 21, 2005
VTV EXPO Wraps November 21, 2005
Last Call for VTV EXPO November 18, 2005
Vacuum Tube Valley Show November 16, 2005
High Fidelity Belgium 2005 Show Coverage November 15, 2005
6Moons Covers the RMAF 05 October 7, 2005
CEDIA UK Home Entertainment Show August 1, 2005